Archive | Filmmaking

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Iron Sky to debut at Berlin Film Festival

Posted on 27 January 2012 by TH3 No08


The day most people thought would never come is soon upon us. This film has been in production for the most of the last five years and according to the trailer it is now complete. I remember when I saw the first teaser for Iron Sky in 2008 and thought it was just a viral stunt. What I’m hearing now is that it is being marketed as a sci-fi comedy. A long way from what I originally thought it would be as the first teaser was very serious and dark in tone. Check it out if you get the chance.

As World War II comes to an end in 1945, Hans Kammler and other German scientists make a breakthrough in anti-gravity research. From a secret base in the Antarctic, Nazi spaceships are sent to the “dark side” of the Moon to establish the military base “Schwarze Sonne”. Their plan is to build a powerful fleet and return to conquer Earth. The film is set in the year 2018 when their descendants finally return.

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The Hobbit BTS Production Diary 4

Posted on 04 November 2011 by TH3 No08

It’s pretty awesome to be able to get an inside look into Peter Jackson’s world of production on his latest film. He’s really allowed a level of access that is rarely seen on a movie of this scale. In the latest production diary we get an in depth look at what goes into creating an epic 3D film. From what I’ve seen and heard regarding the use of 3D in this film I would expect this to blow away any previous films that have attempted to harness this process. That means you Avatar…

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Hombre y Tierra looking for funding through Kickstarter.com

Posted on 26 August 2011 by TH3 No08

It’s hard to make a film. No one ever tells you that. They tell you how fun it is on set and how amazing it is to see your work on the big screen but they never really tell you what happens in between the time you finish your edit and the first time see your film projected on the big screen and that’s the fact you have to spend a lot of your own money to market your film and get it the exposure it needs at festivals. It’s not cheap to go the indie route and that’s what this post is about. I wrote, produced, edited, and sound designed Hombre y Tierra and now that it’s finished it needs some help getting out there so we can market it and sell it.
That’s where you come in. The other producers and I are going through Kickstarter.com to raise funds for festivals and marketing and we ask that you give what you can to help us out. Watch the video, read the press release, get the info you need and do what you can to help a group of film makers live their dream.

 

Despite Down Economy Local Production Company
Perseveres

TMI Launches Festival Campaign For Spanish Language Feature
HOMBRE Y TIERRA.

 Austin, TX, August 25, 2011 – HOMBRE Y TIERRA, (aka Man And Earth)
Starring Mauricio Ripke, Directed by Christian Cisneros and Written by Richard Watson.
Produced by The Moving Image Company, a Texas-based Production Company.

GET TOUGH OR DIE.
“When the going gets tough, the tough get going.” Executive Producer Robert Stewart repeats a time
worn phrase when describing the position he and his partners at The Moving Image Company faced in
2010. “It was all about funding, the economy tanked and a lot of entities that had previously been
interested in funding for Independent Feature Films just sort of disappeared – poof – just gone.” Robert
and Company Founder and long time friend, Christian Cisneros, realized it was, as he puts it, “Get
tough or die time.”
“Christian and I had already seen a lot of people de-camp Austin for opportunities elsewhere,
Louisiana, New Mexico and other states – just to stay in the industry. We just didn’t want to cut and
run. Austin is home.” So, they had to come up with a plan – and quick.
No funding sources. A bad economy. Next to nothing on the horizon to make them believe that it would
get better anytime soon. “I told Christian, ‘Producers produce.’ We have to create a project we can
afford to fund on our own.” That idea became the company’s mission.
“We figured, if we’re going to go down, we might as well go down swinging. Everyone says its
madness to use your own money to produce movies – but it was actually kind of liberating. Scary, yes,
but it also came with a freedom to do it exactly as we decided it should be.”
They reviewed numerous stories, scripts and books but nothing would fit the plan. Finally, they focused
on a suspense story penned by fellow partner Richard Watson. That story was entitled, The
Woodsman, what would later become the Spanish language Feature Film HOMBRE Y TIERRA,
starring a actor who is well known to film makers in Central Texas, Mauricio Ripke.

A DARK TALE.
“This story is very tight, very focused, and according to our plan it was a film we could actually produce
within the budget we had to work with”, Robert relates. Along the way, as the production took shape,
the film makers decided to do something very unique – the film was shot in two languages. One entire
version shot in English and one in Spanish. “Essentially, we shot two films at the same time and we
don’t know of another film ever being produced this way.”
Hombre Y Tierra is the tale of Mauro Bosque: a Columbian TV personality who teaches survival tactics
and the film relates the strange details of his final journey. After entering the San Ignacio forest of
central Belize he disappears and is never seen again. Entertained as a child by his grandmother’s
stories of a missing Mayan settlement and their legendary caves filled with artifacts, (rumored to be
hidden within this forest and waiting to be found) Mauro seeks to locate them for his program – what he
uncovers, what he records on camera, is something as primeval and deadly as the forest itself.

GET CREATIVE OR STAY HOME.
Now The Moving Image Company has completed the film and is submitting to festivals around the
country. To support this effort they have launched a campaign at Kickstarter.com to raise funds to
promote the film at festivals around the country. The campaign features unique and one of a kind film
memorabilia that supporters can receive in return for supporting this creative and unique production.
The film makers are extremely upbeat about the film’s prospects going forward. “It is an interesting and
suspenseful story, the production was unique and we feel sure people will want to see a film made here
in Texas, but that also has a truly “international” feel to it. A Foreign Film, Made In Texas.” Robert
smiles. “Brilliant or Crazy? We’ll let the audience decide. ”

For more information:
Kickstarter Campaign

http://www.kickstarter.com/projects/tmivideos/hombre-y-tierra-feature-film-to-festivals

Facebook Fan Page

http://www.facebook.com/pages/Hombre-Y-Tierra/202210116505350

Website

http://hombreytierra.com

(Under Construction)

Company Information
www.themovingimagecompany.com
www.tmivideos.com
Contact
Robert Stewart, Executive Producer, 512.690.3514

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Visual FX reel from HEREAFTER

Posted on 23 February 2011 by TH3 No08

I’m a big fan of behind the scenes featurettes especially FX breakdowns so I was super stoked to share this. I haven’t seen HEREAFTER yet but seeing the FX work on this reel makes me want to check it out…

A drama centered on three people — a blue-collar American, a French journalist and a London school boy — who are touched by death in different ways.

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You’ll Be Seeing a Whole Lot More From the Saw Guy Soon

Posted on 11 February 2011 by Christian

James Wan, the guy who brought us the Saw movies in all their many scary, twisted and morally bankrupt iterations, has signed a deal to create eight additional movies outside of his original Saw franchise. Wan wrote the first Sawfilm and executive produced the additional films in the series. He also made the 2010 low-budget horror film Insidious—in just 22 days. For the new films, “the idea is to produce small, scary, low-budget pics that I enjoy making,” said Wan. “I don’t see myself coming up with any romantic-dramedy ideas right now.” Not unless they involve homicidal puppets or bear traps, anyway. [Variety]

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Film Composer John Barry Now Living-Impaired

Posted on 31 January 2011 by mjones

Film-Composer, the legendary John Barry is no longer breathing air, reported USA today. Responsible for composing the scores of films such as Midnight Cowboy, Dances With Wolves, Out Of Africa and 11 James Bond films, this is a man who’s music will live forever, even though he did not.

Pay your respects, and watch one of these films that he helped to make memorable in the extreme, and for once think very hard about how integral the music is to the theatrical experience.

John Barry Dead at 77

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Visual effects demo reel from the film Black Swan…

Posted on 28 January 2011 by TH3 No08

It’s amazing the amount of detail work that goes into creating a good 3d compositions and the best part is when you don’t even notice it’s there until it’s pointed out. That is certainly the case with Black Swan. As an FX creator myself I’m always on the look out for poor work to ridicule and laugh at so I can look smart but this was not the case for this movie. Most of the effects I did not notice until watching this very cool video. Check out the effects and then wonder quietly to yourself why this movie wasn’t nominated for a best visual effects oscar…

also don’t forget to follow us on facebook

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“Evil Dead” Remake Still On The Horizon

Posted on 26 January 2011 by mjones

I'm a happy guy!Not only is the idea of the “Evil Dead” Re-Make still lurking out side of your room like a bad-touch uncle, but its now in full on script stages says Producer Robert Tapert.

“[An Evil Dead remaking is still] possible; we’re looking at a script this month… What’s interesting about Evil Dead is very few people saw it in the format we made it for, which is for the theater […] I think Sam wants to embrace the ultimate experience in grueling terror and see it remade for a proper theatrical experience.”

I myself am not optimistic about the Re-Make, and instead will be running as fast as little legs can carry me, to Rob Tapert’s house, where I will poop in his flower beds.

http://screenrant.com/evil-dead-remake-alive-benm-98032/

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‘The Social Network’ wins National Society of Film Critics Best Film award!

Posted on 10 January 2011 by Dana Archip

The National Society of Film Critics announced their winners for 2010 and The Social Network takes home the prize for the critics’ favorite of 2010.

Here’s the list complete list of award winners:

Best Film
The Social Network

Best Director
David Fincher, The Social Network

Best Actor
Jesse Eisenberg, The Social Network

Best Actress
Giovanna Mezzogiorno, Vincere

Best Supporting Actor
Geoffrey Rush, The King’s Speech

Best Supporting Actress
Olivia Williams, The Ghost Writer

Best Screenplay
The Social Network

Best Non-Fiction Film
Inside Job

Best Foreign Language Film
Carlos

Movie Most in Need of Distribution
Film Socialism

What do you guys think of the winners? Even though The Social Network is a good film, I’m surprised that Black Swan didn’t win a single award but The King’s Speech did.


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The future of film projection is looking grim.

Posted on 21 December 2010 by Dana Archip

Much like VHS before it, film projection took a big hit today.

Here’s some alarming news courtesy of Douglas Maclaren at the Music Box Theatre in Chicago:

“LaVezzi Precision Inc, the manufacturer for 95% of projector sprockets in use worldwide, has decided to cease production on all motion picture parts. Sprockets, gears, shafts, and most importantly, the cams & stars for projector intermittent movement have all ceased being manufactured effective immediately.”

This means that precision parts critical for running film on the most common projectors: Ballantyne, Century, Christie, and Simplex  (including also RCA soundheads) are now limited to what is left on the shelf at LaVezzi.

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Steve Johnson FX Designs for Superman, Iron Man and Hulk

Posted on 10 December 2010 by Christian

More designs for Tim Burton’s ‘Superman Lives’ of Superman and Doomsday, as well as designs for Iron Man and Hulk have been uploaded to the Steve Johnson FX Facebook Page

The Steve Johnson FX Facebook Page has recently uploaded a series of more photos of behind the scenes designs of the Superman costume for Tim Burton’s cancelled Superman lives, as well as concept art of Superman and Doomsday. Also uploaded was an album of Iron Man designs and photos of a prosthetic hulk for a 1998 film version of Hulk.

I think the prosthetic Hulk would have been very cool to see on film and hopefully we’ll get something like it in the upcoming television series.

For more photo’s head to the Steve Johnson FX page: http://www.facebook.com/home.php?#!/stevejohnsonfx

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Texas Film Commission Denies Incentives for Robert Rodriguez’s ‘Machete’

Posted on 09 December 2010 by Christian

The Texas Film Commission has denied incentives for “Machete,” the controversial immigration-related feature film from Robert Rodriguez’s Austin-based Troublemaker Studios.

In a brief, formal letter dated Dec. 1 and released Wednesday by Katherine Cesinger , a spokeswoman for Gov. Rick Perry, the Texas Film Commission cited part of a state code that says requests for film incentives can be denied “because of inappropriate content or content that portrays Texas or Texans in a negative fashion.”

The letter was signed by Carol Pirie , deputy director of the commission, and dated one day after former commission director Bob Hudgins resigned amid government findings that he sexually harassed female employees — accusations that he has denied.

The letter to Troublemaker did not detail why the commission made its findings, and Pirie did not have further comment Wednesday. But the movie, which was released Sept. 3, features a fictional Texas politician who is stoking violent anti-immigration fervor for financial and political gain.

A representative for “Machete” producer Elizabeth Avellán said Wednesday that Avellán and Rodriguez were traveling after recently wrapping up shooting on “Spy Kids 4″ and that they were unavailable for comment.

Although exact figures aren’t available, the production budget for “Machete” was estimated at $10 million by the Internet Movie Database. Based on that figure, Troublemaker could have received a grant of as much as $1.75 million for making the movie in Texas.

The letter from Pirie said that the commission’s ruling “does not affect…other grant applications from Troublemaker, now or in the future.”

Rodriguez is Texas’ most prolific filmmaker, and when Perry signed legislation to beef up filmmaking incentives and bolster the state’s industry in April 2009, he did so at Rodriguez’s studios, with the director/producer at his side.

Rodriguez told The Associated Press at the time that without the bill he would have had to move the production of projects, including “Machete,” to another state.

“Thanks to this bill, I don’t have to go shoot out of the state,” Rodriguez said.

When the debate on “Machete” incentives was raging earlier this year, Avellán defended the movie, saying: “There’s always going to be a bad guy, and he’s going to be from somewhere. It just so happens in this case the bad guy is a guy from Mexico who is in cahoots with a guy from Texas. The way Texas is portrayed is not bad at all; it’s actually kind of fun.”

She added, “Without incentives, it’s really impossible nowadays (to make a movie in Texas) considering someone else a couple of states away is throwing money at you.”

In May 2009, Hudgins told the producers of the feature film “Waco” that their script about the deadly Branch Davidian siege of 1993 was historically inaccurate and that they would not qualify for incentives if they filmed in the state. The commission’s decision attracted the attention of the major Hollywood trade publications, raised First Amendment issues and led some to predict that the state’s restrictions on incentives would end up hurting the industry. Others, including conservative talk show radio hosts who fueled controversy over “Machete,” argued that the state has the right to deny funds to any movie that it deems inappropriate.

“I’m disappointed to see a wonderfully creative film denied incentives, a film that brought a lot of jobs to Austin,” said Rebecca Campbell, executive director of the Austin Film Society. “I do continue to believe in the effectiveness of the incentives program. I think it’s a great thing for Texas.”

Austin screenwriter and author Si Dunn , who was one of the paid extras in “Machete,” said Wednesday, “Texas needs to do a much better job of politically supporting its movie and television industry…. The notion that state legislators somehow can protect Texas’ image from ‘negative light’ is just laughable — and sadly naive. Movies casting some aspect of Texas in a ‘negative light’ can be made with help from state incentives in Louisiana, New Mexico, Oklahoma or almost any other state and then be shown in Texas theaters.”

The ruling on “Machete” comes at a pivotal time for the state’s film industry.

In the past year, film and television production in Texas has picked up, mainly because of the new incentives.

But early projections for the next state budget include a shortfall of at least $24 billion . In September, the governor’s office proposed $9 million in cuts in film and TV incentives for the 2011 state budget, which will be debated at the legislative session that starts in January.

[Austin American Statesman]

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Jon Favreau Talks Iron Man 3 Continuity of Marvel’s Cinematic Universe

Posted on 07 December 2010 by Christian

Chatting with MTV, the director of the Iron Man franchise discusses the third installment claiming it’ll basically be a sequel to Marvel’s Thor, Captain America, and The Avengers.

“I don’t know a lot about ‘Thor,’” Favreau told MTV News when we visited him at the “Cowboys & Aliens” editing studio. “I’ve talked to ['Thor' director] Kenneth Branagh. I’ve met the cast members. I had a conversation with ['Avengers' director Joss Whedon] in passing, giving him my two cents about the film.”

“In theory, ‘Iron Man 3′ is going to be a sequel or continuation of ‘Thor,’ ‘Hulk,’ ‘Captain America’ and ‘Avengers,’” he said. “This whole world… I have no idea what it is. I don’t think they do either, from conversations I’ve had with those guys.”

“Honestly, right now ‘Captain America’ and ‘Thor’ are their big priorities, and you learn things by shooting and making movies,” he explained. “The script is one thing, but when you actually see what you land on at the editing room — especially with Marvel where they film, cut, film some more and shape the film — you really learn as you go.”

While THOR is set for theaters May 6, Captain America: The First Avenger hits July 22, next year. And The Avengers assembles May 4, 2012, with Iron Man 3 hitting the year following, May 3.

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First Behind The Scenes Footage Of Pirates of the Caribbean: On Stranger Tides!

Posted on 05 December 2010 by Christian

Entertainment Tonight have released a six minute video featuring a ton of behind the scenes footage from the set of the forth installment in the popular Disney franchise…

Pirates of the Caribbean: On Stranger Tides: captures the fun, adventure and humor that ignited the hit franchise – this time in Disney Digital 3D. In this action-packed tale of truth, betrayal, youth and demise, Captain Jack Sparrow crosses paths with a woman from his past, and he’s not sure if it’s love-or if she’s a ruthless con artist who’s using him to find the fabled Fountain of Youth. When she forces him aboard the Queen Anne’s Revenge, the ship of the formidable pirate Blackbeard, Jack finds himself on an unexpected adventure in which he doesn’t know who to fear more: Blackbeard or the woman from his past.

Pirates of the Caribbean: On Stranger Tides is set to be released on May 20, 2011!

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Q-Tip Not a Fan of Michael Rapaport’s Filmmaking

Posted on 03 December 2010 by Christian

Remember the trailer for the Michael Rapaport–directed A Tribe Called Quest documentary Vulture linked to earlier this week? Well, the project has already gotten one notable detractor: Q-Tip has tweeted that he is “not in support of the a tribe called quest documentary … The filmmaker should respect the band to the point of honoring the few requests that’s was made abt the piece … The filmmaker shld respect the band enough to honor our request regarding the the film.” Hey, Michael Rapaport, Q-Tip just called you a filmmaker! [MTV]

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Captain Jack Sparrow Was Intended for Hugh Jackman, Not Johnny Depp

Posted on 02 December 2010 by Christian

In a Fox News exclusive, original Pirates of the Caribbean screenwriter Stuart Beattie explained that the character of Captain Jack Sparrow was originally intended for Wolverine himself, Hugh Jackman, rather than Johnny Depp.

“I initially wrote that character with Hugh Jackman in mind,” screenwriter Stuart Beattie revealed. “Hence the name Captain JACK Sparrow.”

Offers Fox News, “At the time, Jackman was a prominent actor in Beattie’s homeland of Australia, but was not yet a big on the international scene, prompting the folks at Disney to dismiss Beattie’s casting contribution and instead hunt down Johnny Depp for the role. And when it comes to trying to pushing for a big break in Hollywood, patience certainly pays off.”

“I spent ten years pitching it to Disney and they weren’t interested,” Beattie, who went on to write Collateral, G.I. Joe: Rise of Cobra and 30 Days of Day, said. “Then finally, I got a call to come back in.”

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Did Terrence Malick’s Latest Film Involve Adultery and Wildly Expensive Power Bars?

Posted on 01 December 2010 by Christian

We won’t see Terrence Malick’s super-secret Brad Pitt–Sean Penn drama Tree of Life until summer, but the Wrap already has details on Malick’s next film after that, the Ben Affleck–toplined project that’s rumored to be called The Burial. According to the site’s report, the just-shot film stars Affleck and former Bond girl Olga Kurylenko as an unhappily married couple who dabble in adultery, causing their daughter (Tatiana Chilin) and a local priest (Javier Bardem) to confront their own problems. If that isn’t enough drama for you, the Wrap also alleged — in a now conspicuously deleted portion of the article — that co-star Rachel Weisz antagonized the film’s crew by demanding hundred-dollar power bars. They have those? [Wrap]

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Official Twilight Eclipse Behind-The-Scenes Clips

Posted on 01 December 2010 by Christian

The Twilight Saga: Eclipse, will be released on a Two-Disc Special Edition DVD, Single Disc Blu-ray, Single Disc DVD, and Blu-ray/DVD Combo on December 4, 2010.


Official Clips from the DVD and Blu-Ray Release:

Special Feature Footage

Special Feature Commentary



Exclusive Twilight Facebook THE TWILIGHT SAGA: ECLIPSE DVD/Blu-Ray Clip!

David Slade on ECLIPSE


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Kevin Smith Hopes to Hold Public Auction at Sundance for His Next Film

Posted on 29 November 2010 by Christian

Selling a film at Sundance is always a bit of a three-ring circus, and now Kevin Smith wants to make sure everyone’s invited to the show. Smith has announced that if the festival accepts his next film, the satirical horror movie Red State, he plans to sell the film in the room immediately after the first screening and may even bring in a professional auctioneer to make things more interesting. “And if you’re a multi-millionaire who can’t make it to the first screening of Red State, fear not,” Smith added. “Maybe we’ll set up an eBay page for the post-screening bid-calling as well.” [/Film]

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‘Empire Strikes Back’ Director Irvin Kershner Dies

Posted on 29 November 2010 by Christian

‘Star Wars: The Empire Strikes Back’ director Irvin Kershner has died in Los Angeles at age 87, the Agence France-Presse reports. Goddaughter Adriana Santini said Kershner had faced an illness for some time.

In addition to directing what many regard as the pinnacle of the ‘Star Wars’ saga, Kershner helmed ‘Never Say Never Again’ and ‘Robocop 2.’

The onetime George Lucas collaborator taught courses in film and photography at the University of Southern California. In an interview later in his life, Kershner spoke of teaching Lucas in the 1960s. “Even then, I could see that he was a very special student,” Kershner said. “Not that he had a great eye, but he had vision.”

Kershner was born in Philadelphia in 1923; he was a musician and photographer before delving into documentary and eventually feature filmmaking.
Reflecting on the 30-year legacy of ‘Empire Strikes Back’ in October, Kershner told Vanity Fair: “I think the critics felt that they were going to see an extension of ‘Star Wars.’ In other words, they wanted another ‘Star Wars.’ I decided that the potential was much greater than a rerun of ‘Star Wars.’ When I finally accepted the assignment, I knew that it was going to be a dark film, with more depth to the characters than in the first film. It took a few years for the critics to catch up with the film and to see it as a fairy tale rather than a comic book.”

Kershner also famously turned down ‘Return of the Jedi,’ telling VF, “After working for two years and nine months doing ‘Empire,’ and having it take so much out of my life and having given me so much, I felt that it was a complete experience and it was time to move on.”

One specific legacy of Kershner’s, embedded within ‘Empire Strikes Back,’ is Han Solo’s legendary “I know” response to Princess Leia’s “I love you.” The script called for Harrison Ford to reply with a simple “I love you, too,” but Kershner’s gut said otherwise.

“I shot the line and it just didn’t seem right for the character of Han Solo. We were into the lunch break and I said to Harrison try it again and just do whatever comes to mind. That is when Harrison said the line, ‘I know.’ After the take, I said to my assistant director, David Tomblin, ‘It’s a wrap,’” Kershner told Vanity Fair. “George [Lucas] saw the first cut and said, ‘Wait a minute, wait a minute. That’s not the line in the script.’ I said, ‘I love you, too was not Han Solo.’ Han Solo was a rebel. George felt that the audience would laugh. And I said, ‘That’s wonderful, he is probably going to his death for all they know.’”

Despite Lucas’ initial dismay at Kershner’s interpretation, audience tests proved the line a hit, and Kershner ultimately admits, “George was the best producer I ever worked with.”

See a clip of Kershner speaking about George Lucas:



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